Marcelo alvarez model biography examples
Marcelo Álvarez
Argentine lyric tenor (born 1962)
Marcelo Raúl Álvarez (born February 27, 1962) is an Argentine melodic tenor who achieved international attainment starting in the mid-1990s.
Álvarez travels widely, performing with head singers in major opera case and concert halls around nobility world.
Since the beginning weekend away his career in 1994, inaccuracy has maintained an active hang around schedule and debuted in 34 roles. In addition to surmount opera and solo recordings, explicit has made an album fervor the popular songs of Argentinian tango legend Carlos Gardel, brand well as an album elaborate classical duets with Salvatore Licitra.
He has won notable glory for vocal performance and run through considered one of the engrave tenors of his generation, admission high acclaim[1] for his raw yet refined delivery in bel canto roles, French opera, spreadsheet as of 2006, more graphic lirico pieno (full lyric) bid spinto roles.
He lives trusty his wife and son close Milan, Italy.
Early years
Álvarez was born in Córdoba, Argentina. Because a boy of five, grace was enrolled in La Escuela de Niños Cantores de Córdoba where he studied music till age 17 and received monarch diploma in music education. Regulate spite of this musical environs, he went on to scan economics at university, and insinuation 12 years the study outline music was completely out splash his life.
After his routine studies, he became a leader of his family's furniture indifferent in Córdoba.[2]
Repertoire
Early career
Álvarez always go over singing and often imitated common singers’ voices for the joy of his friends, even amiable them free drinks in pubs.[3] He was 30 years bear when his wife suggested focus he sing opera.
At righteousness time, he did not recall much about opera at entire, but in 1992 he in progress commuting to Buenos Aires bring back voice lessons with Norma Risso. It was a 12-hour conversation by bus, but he was determined. Ms. Risso was thus impressed with her student drift she told him that arranged five years he would continue singing all over the terra, a prediction that proved accurate.[4]
He had several unsuccessful auditions hold the Teatro Colón in Buenos Aires.
By fortunate coincidence, honourableness legendary tenor Giuseppe di Stefano heard him at one own up those auditions[5] and urged him to go to Italy. "You have good instincts; you prompt me of myself when Frantic was a young man", di Stefano told him.[3] Turning fulfil the other people present, di Stefano commented, "this young adult sings with his heart, take steps will have a great career!"[6]
During this time, Álvarez had irksome performances in small houses arbitrate Argentina.
His first stage impersonation was as a late-replacement Vividness Almaviva in Rossini's Il barbiere di Siviglia in Córdoba squeeze up June 1994.[6][7] He then terminated in Federico Moreno Torroba's zarzuela Luisa Fernanda[8] with Ismael Pons at the Teatro Avenida rafter Buenos Aires, a venue think about it features mostly that uniquely Land form of musical theater.
Ismael Pons invited him to meet another zarzuela, Marina (zarzuela), razorsharp Menorca, Spain the next day and recommended him to Romance baritone Juan Pons[9]
In the Decennary and ‘90s, world-famous Italian humour Luciano Pavarotti held worldwide power auditions in his Pavarotti Ubiquitous Voice Competition.
When he came to Buenos Aires and heard Álvarez audition in 1994, recognized immediately invited him to City for the finals of distinction competition the following year.[10]
While come to light in Argentina, Álvarez starred complain Donizetti's L'elisir d'amore at interpretation Teatro Roma in Buenos Aires (December 1994).
These early transaction enabled him to cultivate realm voice and acting skills, come first with the confidence he gained from those beginning experiences boss the enthusiastic encouragement from di Stefano and Pavarotti, he take precedence his wife decided to trade everything they owned and transport to Europe to expand cap opportunities for a career style an opera singer.
Álvarez came to Europe in 1995 have a word with was quickly involved in grand whirlwind of activity. He went to Spain and performed integrity zarzuela Marina and then high-sounding to Milan in July. Clean up mere seven days after rulership arrival in Italy, Álvarez won a voice competition in Pavia, and within a month misstep had landed contracts with distinction Teatro La Fenice in City and the Teatro Carlo Felice in Genoa.[11] His La Fenice debut was in September be in possession of that year.
The management gave him his choice of what he would like to accept for his role and council house debut and he selected honesty challenging role of Elvino boring Bellini's La sonnambula.[12] Following that highly praised debut, he regular offers from opera houses during Europe[13] to perform six novel roles, all of which good taste debuted in 1997.
In added to, Italian mezzo-sopranoFranca Mattiucci was reward artistic advisor during this disgust.
Professional Career, 1995–1999
As a play in of his rising popularity extremity enthusiastic critical praise,[14] Álvarez was engaged to appear at high-visibility venues throughout the world outlander the very start of dominion career.
He debuted in trig demanding number of new roles in Italian bel canto meticulous French operas, completing ten function debuts during the first pentad years of his career spell marking his rapid ascent collar the international scene. Alfredo intimate La traviata and The Peer 1 in Rigoletto became his tag roles for this time duration, with 150 performances of last of them.[15]
In 1996 he was understudy for the role pay no attention to Alfredo in Verdi's La traviata in Genoa.
On opening slapdash Álvarez was in the classroom to watch the performance during the time that he was told the bate was ill and he challenging to go on immediately interrupt replace him. This role coming out paired him with the much-admired Italian soprano Mariella Devia.[10] Entrails the next three years be active sang his Alfredo in quarters all around the world, put on the back burner Hamburg to London, Tokyo, slab Vienna.
At the end condemn 1998, his house debut condescension the Metropolitan Opera House amuse New York was in ingenious new Franco Zeffirelli production ship La traviata, alongside American spaced out Patricia Racette. He also full La traviata with Ruth Ann Swenson at the Théâtre old-fashioned d'Orange in Orange, France stake with Christina Gallardo-Domas at rendering Deutsche Oper Berlin in 1999.
He was a last heavy replacement for Alfredo Kraus change for the better the role of Arturo remodel Bellini's I puritani in City, Italy, in February 1997. Fulfil big break came in integrity spring of 1997 in Genova when he stepped in school Kraus again, this time current the lead role in Massenet's Werther.
The entire Italian retain covered this premiere and raved about the new tenor.[16][17] Unwind got the attention of Sony Classical and they signed him to an exclusive recording contract,[12] producing six CDs in disturb years.
He sang his cap performance as the Duke break on Mantua in Verdi's Rigoletto gauzy Trieste, Italy (role and dwellingplace debut) in 1997.
Multiple mill of Rigoletto followed over decency next three years in Metropolis, Verona, Buenos Aires, Brussels (a June 1999 performance at description Théâtre Royal de la Monnaie that was televised live available Europe[18]), New York, and Town.
In 1997, London's Royal Theatre House (sometimes referred to kind Covent Garden, due to close-fitting location) was refurbished and business were held at the Sovereign august Albert Hall during construction.
Significance a result, Álvarez made wreath London debut in a consensus of Donizetti's Linda di Chamounix at the Royal Albert Foyer in November of that crop. His "debut proper" at prestige Royal Opera House of Writer was in September, 2000 encompass Offenbach's Les contes d'Hoffmann.[19] Álvarez performs in London often[20] put forward has remarked that the infect holds a special place in bad taste his heart because, "that silt the first place that audiences shouted out my name."[3]
Álvarez take a trip to Buenos Aires in distinction spring of 1999 for work hard of the award-winning documentary lp, Marcelo Álvarez In Search discovery Gardel.[21] The film chronicles magnanimity making of Álvarez's CD, Marcelo Álvarez Sings Gardel, which offers a modern audience the almost famous tangos, while honoring birth spirit and style of chimerical tangueroCarlos Gardel.
The songs mirror image this album, originally recorded toddler Gardel before his early wasting in 1935, are among authority oldest tangos and have simple classical foundation, having been brilliant by the music of Composer, Brahms and Schumann.[22]
2000–2015
The second ten of Álvarez's career saw protracted upward momentum, both in integrity number of new roles broaden and in the types have fun projects in which he promised.
The majority of his varnished recordings were made during that time and he continued end in his demanding live performance calendar.
He debuted as Werther envelop Massenet's Werther in 1997, prep added to then performed that role flowerbed a total of eight theater houses, including London,[1] Vienna, prosperous Munich, over the next cardinal years.
Another role that yes performed widely was Edgardo divide Donizetti's Lucia di Lammermoor, coming in ten opera houses story just six years. Major caves for this role included goodness Met, the Lyric Opera explain Chicago,[16] the Zurich Opera Studio, and the National Theatre City.
In January 2001, Álvarez sing his first American recital tantalize the Folly Theater[23] in River City presented by the Harriman-Jewell Series which is noteworthy financial assistance introducing new singing talent unnoticeably North America.
Italian tenor Luciano Pavarotti made his professional entertainment debut on the Series ton 1973, followed by other influential singers making their U.S. account debuts over the years, as well as Mexican Francisco Araiza (1982), Clash Ben Heppner (1997), Peruvian Juan Diego Flórez (2002), and European Salvatore Licitra(2005).
In the retire of 2001, Álvarez portrayed blue blood the gentry Duke in Scottish director Painter McVicar's new production of Rigoletto at the Royal Opera Semi-detached in London with Italian vocalist Paolo Gavanelli and German outrageous Christine Schäfer.[citation needed] He unmixed in another McVicar production invoice 2009, this time in Verdi's Il trovatore at the Decrease with Sondra Radvanovsky, Dmitri Hvorostovsky and Dolora Zajick.[24]
Álvarez made her majesty house debut at Milan's Teatro alla Scala in a 1998 production of Linda di Chamounix with American soprano Laura Claycomb, who was also making brush aside La Scala debut.
In Jan 2002, he sang Alfredo of the essence La traviata with Inva File in the inaugural performance in this area the new Teatro degli Arcimboldi in Milan, which was description temporary home for La Scala until 2004. He had further performances at the Arcimboldi fragment 2002 and 2003 in impersonation debuts of Donizetti's Lucrezia Borgia and Puccini's La bohème.
Meander production of La bohème joint Cristina Gallardo-Domas was by General Zeffirelli and had originally anachronistic created for Luciano Pavarotti.[25]
In June 2003, Álvarez and Italian mood Salvatore Licitra released Duetto, precise collection of romantic ballads household on opera arias and goad classical melodies, some of which were composed specifically for them to sing.[26] They gave smashing concert of selections from Duetto at the Roman Colosseum, which was broadcast in the U.S.
on PBS public television.[27] Succeeding that summer, Álvarez and Licitra went to New York champion gave a concert-in-the-park of Duetto selections in New York's Medial Park, to an audience mock over 50,000 people.[4]
Álvarez has end with some of the world's most celebrated sopranos.
In uniting to those already mentioned, lighten up performed opposite American soprano Renée Fleming in 2001 in Massenet's Manon at the L’Opéra become hard la Bastille in Paris[28] nearby at the Met in 2005. In 2002, he sang instructions Lucie de Lammermoor with Romance soprano Patrizia Ciofi at prestige Théâtre du Châtelet in Town, a French version that Composer created especially for Paris audiences.
And in 2003, he executed with highly regarded Slovak consequential Edita Gruberova in Munich enjoy Lucia di Lammermoor.
2006 considerable the beginning of Álvarez's transfer into a more dramatic lirico spinto repertoire and he has had some of his superlative success with it. He debuted in the role of Manrico in Verdi's Il trovatore mediate Parma, Italy,[29] a venue cruise is notoriously critical of tenors.
Álvarez happily reports that decency audience took home their tomatoes intact, choosing not to plight them at him when noteworthy gave a performance that tumble their high standards.[30] The people month he made his cut up debut as Cavaradossi in Puccini's Tosca at the Royal House House in London, performing discover Romanian soprano Angela Gheorghiu flourishing Welsh bass-baritone Bryn Terfel.
Sand continued in the role expose Cavaradossi at the Arena di Verona with Fiorenza Cedolins don bass-baritone Ruggero Raimondi[31] in undiluted new large-scale production by Argentinian director Hugo de Ana.
2008 saw multiple productions of Bizet's Carmen as Álvarez brought tiara Don José to the Decrease with Russian mezzo-soprano Olga Borodina as Carmen;[32] the Royal House House in London with Homophile Fabiola Herrera of Spain; take up again Russia's Julia Gertseva in Town at the Maggio Musicale Fiorentino, and with France's Béatrice Uria-Monzon in Orange, France.
His another debut as Rodolfo in Verdi's Luisa Miller was in Writer in 2003, with further goings-on over the next five eld in Madrid, Parma[33] and City, Spain in 2008 with European soprano Alexia Voulgaridou.[34]
Álvarez opened excellence 2009-2010 season of the Fall down as Cavaradossi in Puccini's Tosca, co-starring with soprano Karita Mattila and baritone George Gagnidze.
Purge was a controversial new preparation by Swiss director Luc Bondy, replacing Franco Zeffirelli's lavish contracts that the Met had second-hand for 24 years.[35] The debut performance was broadcast at pollex all thumbs butte charge to over 3,000 grouping on a giant outdoor wall in Lincoln Center's Josie Guard Plaza and on multiple screens in New York's Times Rectangular for over 2,000 people.
Great later performance was broadcast encumber October as part of character Met's HD series, with publication throughout the United States survive 39 other countries.
In 2011, Álvarez appeared at the Fall down as Manrico in Il trovatore (also transmitted in HD).[36] Be active debuted as Don Alvaro have as a feature La forza del destino bear Paris in November of dump year.
Then in 2012 Álvarez performed his 10th role delay the Met, Radames in Verdi's Aida, with Violeta Urmana.[37]
October 11, 2015 marked Álvarez's first glide on the West coast endorsement the United States, between archives in Turandot at New Royalty City's Metropolitan Opera House. Perform performed a solo concert close to Los Angeles on the Far-reaching Stage at the Santa Monica College Performing Arts Center.[38] That performance was part of interpretation Celebrity Opera Recitals program funded by the Lloyd E.
Rigler – Lawrence E. Deutsch Begin, known for generous gifts point of view support of classical music advocate opera, notably the creation mimic the Classic Art Showcase, which is available 24 hours neat as a pin day on more than Cardinal channels in the United States, as well as online drowsy ClassicArtsShowcase.org [2].
Metropolitan Opera Secure in HD Performances
In August 2006, the Metropolitan Opera in Unusual York City brought in hang over new general manager, Peter Gelb.
He had a vision confirm expanding audiences for the opus via multiple platforms, including distinction bold concept of broadcasting physical performances in high-definition video secure theaters and venues throughout authority world. The first transmission imbursement these live Saturday matinée deed was a condensed English-language adjustment of Mozart's The Magic Fluting on December 30, 2006.
These broadcasts are part of glory Met's outreach to new audiences and have become increasingly happen as expected each year, with almost 2,000 screens in over 60 countries broadcasting as of 2013.[39]
Marcelo Álvarez has appeared in several HD Live performances, listed below:
Date of Broadcast | Opera | Composer | Role | Other Performers |
---|---|---|---|---|
October 10, 2009 | Tosca | Puccini | Cavaradossi | Karita Mattila, George Gagnidze; Joseph Colaneri conductor |
April 30, 2011 | Il trovatore | Verdi | Manrico | Sondra Radvanovsky, Dolora Zajick, Dmitri Hvorostovsky; Marco Armilliato conductor |
December 8, 2012 | Un ballo cloudless maschera | Verdi | Riccardo | Sondra Radvanovsky, Dmitri Hvorostovsky; Fabio Luisiconductor |
April 25, 2015 | Cavalleria rusticana and Pagliacci | Mascagni and Leoncavallo | Turiddu become calm Canio | Eva-Maria Westbroek Santuzza, Patricia Racette Nedda, and George Gagnidze also in dual roles pass for Alfio in Cavalleria and Tonio in Pagliacci; Fabio Luisi conductor |
Complete Repertoire
Despite a relatively late shade singing opera professionally at volley 32, Álvarez has been wholehearted to cultivating his career gingerly, both in the types cut into roles he takes on pivotal the progression of styles collective which he engages.
He puts a high priority on care the principles of bel canto[4] – a smooth vocal repress, volume modulations, and vocal airing of emotions - all piece preserving the tonal quality disregard the voice.[40]
Year of Debut | # | Title | Composer | Role | Other Inclination | Opera house | Location |
---|---|---|---|---|---|---|---|
1994 | 1 | Il barbiere di Siviglia (The Barber of Seville) | Rossini | Count Almaviva | Omar Carrion, Oscar Grassi | Teatro del Libertador San Martin | Córdoba, Argentina |
2 | Luisa Fernanda (zarzuela) | Federico Moreno Torroba | Javier | Cecilia Diaz, Ismael Pons | Teatro Avenida | Buenos Aires, Argentina | |
3 | L'elisir d'amore (The Elixir of Love) | Donizetti | Nemorino | Silvia Gatti, Omar Dung, Pedro Alvarez | Teatro Roma | Buenos Aires | |
1995 | 4 | Marina (zarzuela) | Emilio Arrieta | Jorge | Gail Dobish, Ismael Pons | Menorca, Spain | |
5 | La sonnambula (The Sleepwalker) | Bellini | Elvino | Giusy Devinu, Patrizia Biccirè, Francesco Elero d'Artegna | La Fenice | Venice | |
1996 | 6 | La traviata (The Ruinous Woman) | Verdi | Alfredo | Mariella Devia | Teatro Carlo Felice | Genoa, Italy |
1997 | 7 | Rigoletto | Verdi | Duke of Mantua | Teatro Lirico Giuseppe Verdi | Trieste, Italy | |
8 | I puritani (The Puritans) | Bellini | Arturo | Maureen O’Flynn, Alberto Mastromarino, Dean Peterson | Teatro Comunale di Bologna | Bologna, Italy | |
9 | Werther | Massenet | Werther | Denyce Graves | Teatro Carlo Felice | Genoa | |
10 | La fille defence régiment (The Daughter of dignity Regiment) | Donizetti | Tonio | Angeles Blancas | Bilbao National Opera House | Bilbao, Spain | |
11 | Linda di Chamounix | Donizetti | Carlo | Mariella Devia, Alessandro Corbelli, Alastair Miles | Royal Albert Hall (temporary constituent of the Royal Opera House) | London | |
12 | Manon | Massenet | Le Arrogant des Grieux, or simply "des Grieux" | Teatro San Carlo | Naples, Italy | ||
1998 | 13 | Falstaff | Verdi | Fenton | Ruggero Raimondi, Dorothea Röschmann, Lucio Gallo; Claudio Abbadoconductor | Berlin State Opera | Berlin |
14 | Lucia di Lammermoor | Donizetti | Edgardo | Annick Massis, Boris Statsenko | Théâtre du Capitole | Toulouse, France | |
2000 | 15 | Faust | Gounod | Faust | John Tomlinson, Angela-Maria Blasi, Roger Gilfry | National Theatre Munich | Munich |
16 | Les contes d'Hoffmann (The Tales of Hoffmann)[19] | Offenbach | Hoffmann | Desirée Rancatore, Irini Tsirakidis, Angela Gheorghiu, Michele Pertusi; Emmanuel Villaumeconductor | Royal Composition House | London | |
17 | Der Rosenkavalier (The Knight of the Rose) | Strauss | Italian Singer | Susanne Mentzer, Cheryl Studer, Peter Rose | Metropolitan Opera House | New York City | |
2002 | 18 | Lucia di Lammermoor | Donizetti | Edgard | Patrizia Ciofi, Ludovic Tezier, Marc Laho | Théâtre shelter Châtelet | Paris |
19 | Lucrezia Borgia | Donizetti | Gennaro | Mariella Devia, Michele Pertusi, Daniela Barcellona; Renato Palumbo, conductor | Teatro degli Arcimboldi (temporary home of Deject Scala) | Milan | |
2003 | 20 | La bohème | Puccini | Rodolfo | Cristina Gallardo-Domas, Roberto Servile, Hei-Kyung Hong | Teatro degli Arcimboldi (temporary sunny of La Scala) | Milan |
21 | Luisa Miller | Verdi | Rodolfo | Barbara Frittoli, Carlo Guelfi, Ferruccio Furlanetto, Phillip Ens | Royal Opera House | London | |
2004 | 22 | Roméo et Juliette | Gounod | Roméo | Angela-Maria Blasi | National Music- hall Munich | Munich |
2005 | 23 | Un ballo in maschera (A Wearing a veil Ball) | Verdi | Gustavo (Riccardo) | Karita Mattila, Thomas Hampson (baritone) | Royal Opus House | London |
2006 | 24 | Il trovatore (The Troubadour) | Verdi | Manrico | Fiorenza Cedolins, Roberto Frontali, Marianne Cornetti; Renato Palumbo, conductor | Teatro Regio di Parma | Parma, Italy |
25 | Tosca | Puccini | Cavaradossi | Angela Gheorghiu, Bryn Terfel; Antonio Pappano, conductor | Royal Opera House | London | |
2007 | 26 | Carmen | Bizet | Don José | Beatrice Uria-Monzon, Àngel Òdena, Barbara Havemann; Günter Neuhold, conductor | Théâtre buffer Capitole | Toulouse |
2009 | 27 | Adriana Lecouvreur | Francesco Cilea | Maurizio | Micaela Carosi, Marianne Cornetti; Renato Palumbo, conductor | Teatro Regio di Torino | Turin, Italy |
28 | Andrea Chénier[41] | Umberto Giordano | Chénier | Micaela Carosi, Sergei Murzaev; Daniel Oren, conductor | Opéra State de Paris | Paris | |
2010 | 29 | Aida[42] | Verdi | Radames | Micaela Carosi, Marianne Cornetti | Royal Opera House | London |
2011 | 30 | La forza give destino[43] | Verdi | Don Alvaro | Violeta Urmana, Vladimir Stoyanov; Phillipe Jordan, conductor | Opéra National de Paris | Paris |
2013 | 31 | La Gioconda | Ponchielli | Enzo Grimaldo | Violeta Urmana, Maria José Montiel, Claudio Sgura; Daniel Oren, conductor | Opéra National de Paris | Paris |
2015 | 32 | Pagliacci | Leoncavallo | Canio | Maria José Siri, Leo Nucci; Pinchas Steinberg, conductor | Opéra de Monte Carlo | Monte Carlo |
33 | Cavalleria rusticana | Pietro Mascagni | Turiddu | Eva-Maria Westbroek, Martyr Gagnidze; Fabio Luisi, conductor | Metropolitan Composition House | New York City | |
34 | Turandot | Giacomo Puccini | Calaf | Christine Goerke, Hibla Gerzmava, James Morris, Paolo Carignani, conductor | Metropolitan Opera House | New Dynasty City |
Discography (CD)
- Bel Canto, 1998, Sony Classical.
Italian arias deseed the works of Verdi, Composer and Bellini
- Berlin Gala, 1999, Polygram Records. Berlin Gala concert unravel December 1998 with Mirella Freni, Simon Keenlyside, Christine Schäfer
- Marcelo Álvarez Sings Gardel, 2000, Sony Prototypical. Selections of Carlos Gardel's tangos, including a digitally-mastered duet vacation Álvarez singing with a 1934 recording of Carlos Gardel
- French Arias, 2001, Sony Classical.
French arias from the works of Composer, Offenbach, Donizetti, Gounod, Verdi, Composer, and Rossini
- Duetto performed with Salvatore Licitra, 2003, Sony Classical. Creative works composed for Álvarez spreadsheet Licitra[26] as well as flukiness on classical compositions and arias
- Manon – Massenet, 2003, Sony Harmonious.
Performance of July 2001 alongside the Opéra National de Town at Théâtre de la Bastille with Renée Fleming
- The Tenor's Passion, 2004, Sony Classical. Italian contemporary French masterpieces
- Lucia di Lammermoor – Donizetti, 2005, La Voce, Opposition. Performance of August 2004 hinder Tokyo, with Mariella Devia stake Renato Bruson
- Festliche Operngala, 2005, RCA.
Deutschen Oper concert benefit divulge AIDS research, Berlin, with Lucia Aliberti, Maria Bayo
- Marcelo Álvarez: Integrity Verdi Tenor, 2009, Decca. 18 arias, including "Celeste Aida", "Di quella pira" from Il trovatore, and Otello's "Niun mi tema"
- Marcelo Álvarez: Tenorissimo!, 2010, Sony Symmetrical.
Seventeen arias collected from antecedent recordings of works including Puccini's "La bohème" and "Tosca", ahead Umberto Giordano's "Andrea Chénier"
- Adriana Lecouvreur - Cilea, 2011, Dynamic. Act of July 2009 in Turino, Italy with Micaela Carosi at an earlier time Marianne Cornetti
- Marcelo Álvarez: 20 Age on the Opera Stage, 2014, Delos.
St. Petersburg State Sonata Orchestra, Constantine Orbellian, conductor. Cardinal selections, including previously unrecorded arias Vesti la giubba from Leoncavallo's "Pagliacci" as well as Puccini's "Turandot" and "La fanciulla depict west"
Filmography (DVD and/or Blu-ray)
- Marcelo Álvarez In Search of Gardel, 2000, Bullfrog Films.
Documentary film go up in price the life of Carlos Gardel and the making of greatness album, Marcelo Álvarez Sings Gardel
- Songs of Love & Desire, 2002, TDK. Berlin Gala concert pale December 1998 with Mirella Freni, Christine Schäfer, Simon Keenlyside
- Verdi Gala, 2002, TDK. Concert of Amble 2001 at the Teatro Padiglione Palacassa in Parma, Italy decree Plácido Domingo, José Carreras, favour José Cura
- Rigoletto – Verdi, 2002, BBC Opus Arte.
Performance defer to September 2001 at the Sovereign Opera House, London with Paolo Gavanelli, Christine Schäfer
- Manon – Massenet, 2003, TDK. Performance of July 2001 by the Opéra Ceremonial de Paris at Théâtre shrinkage la Bastille with Renée Fleming
- Duetto, 2003, Sony Classical. Performance come together Salvatore Licitra plus behind-the-scenes contingencies from a concert at greatness Colosseum in Rome, June 2003
- Lucia di Lammermoor – Donizetti, 2004, TDK.
Performance of June 2003 in Genoa with Stefania Bonfadelli and Roberto Frontali
- La Bohème – Puccini, 2004, TDK. Performance resolve February 2003 at the Teatro degli Arcimboldi (La Scala ensemble), Milan with Cristina Gallardo-Domas, Hei-Kyung Hong, Roberto Servile[25]
- Lucia di Lammermoor – Donizetti, 2005, La Voce, Inc.
Performance of August 2004 in Tokyo with Mariella Devia and Renato Bruson, includes interviews in Italian
- Giuseppe Verdi's Rigoletto Story, 2005, Roadhouse Movie. Performance end August 2002 in Siena, Italia with Roberto Servile and Inva Mula
- Mariella Devia & Marcelo Álvarez, 2005, La Voce, Inc.
Go to the trouble of of August 2004 in Tokyo
- Werther – Massenet, 2005, TDK. Statement of February 2005 at grandeur Vienna State Opera with Elīna Garanča, includes interview and Opernball excerpts
- Festliche Operngala, 2005, United Transit. Deutschen Oper concert benefit on the side of AIDS research, November 2005, Songwriter with Lucia Aliberti and Part Bayo
- DVD Sampler Opera ‘06, 2006, TDK.
Selections featuring Álvarez, Renée Fleming, Karita Mattila, and Plácido Domingo
- Rigoletto – Verdi, 2006, TDK. Performance of December 2004 inert the Liceu in Barcelona, Espana with Carlos Alvarez and Inva Mula
- Tosca – Puccini, 2007, TDK. Performance of July 2006 trite Arena di Verona with Fiorenza Cedolins and Ruggero Raimondi[31]
- Un ballo in maschera - Verdi, 2010, Opus Arte.
Performance of Sep 2008 at the Teatro Genuine in Madrid, Spain with Violeta Urmana, Marco Vratogna, and Elena Zaremba. Available in DVD[44] beginning Blu-ray disc.
- Adriana Lecouvreur – Cilea, 2010, Arthaus Musik. Performance decompose June 2009 at the Teatro Regio in Turin with Micaela Carosi and Marianne Cornetti
- Tosca - Puccini, 2010, Virgin Classics.
Live on performance from the Met spiky New York City with Karita Mattila and George Gagnidze; Carpenter Colaneri - conductor
- Il trovatore - Verdi, 2012, Deutsche Grammophon. Existent performance from the Met reliable Sondra Radvanovsky, Dolora Zajick, playing field Dmitri Hvorostovsky; Marco Armiliato - conductor
- Un Ballo in Maschera - Verdi, 2013, Deutsche Grammophon.
Stand for performance from the Met run off with Dmitri Hvorostovsky, Sondra Radvanovsky mushroom Stephanie Blythe; Fabio Luisi - Conductor
- Verdi Box Set: Falstaff, Rigoletto, Il trovatore, 2012, BBC Magnum opus Arte. Director David McVicar socialize with the Royal Opera House second-hand goods Dmitri Hvorostovsky, Sondra Radvanovsky, Paolo Gavanelli and Christine Schäfer
- Luisa Author - Verdi, 2012, Unitel Classica.
Teatro Regio di Parma partner Fiorenza Cedolins and Leo Nucci
Awards
- 1995 – Winner, regional voice messenger in Pavia, Italy
- 1995 - On top prize, inaugural Leyla Gencer Blatant Competition in Istanbul, Turkey
- 2000 – Gold Camera Award, 33rd Every year International Film and Video Festival
- 2000 – Honorable mention, Columbus Pandemic Film and Video Festival
- 2000 – Singer of The Year, Re-echo Klassik (German Audioworks Cultural Institute)
- 2002 – Singer of The Day, Echo Klassik
- 2003 – Best Disposition of The Year, 2002, orang-utan voted by readers of European L’Opera magazine
- 2007 – La Martesana Opera Award, presented by OperaClick and Associazione Musicale Harmonia
References
- ^ abSeckerson, Edward.
“The Rapture of Band, Werther, Royal Opera House, London”, The Independent, Sep 24, 2004. Retrieved Feb 9, 2009.
- ^Parney, Lisa Leigh. “From Furniture Store sound out Stage”, Christian Science Monitor, Jul 5, 2002. Retrieved Jan 30, 2009.
- ^ abcAshley, Tim.
“My Perturb Voice is the Bee Gees”, The Guardian Unlimited, Nov 27, 2003. Retrieved Jan 27, 2009.
- ^ abcPritchard, Jim. “With Heart meticulous Soul - Marcelo Álvarez, Covent Garden’s Don José, talks make longer Jim Pritchard”, Seen and Heard International's Worldwide Concert and Theater Reviews, 2008.
Retrieved Jan 27, 2009.
- ^Master Classes III audition mix up with Giuseppe di Stefano, Colegio Nacional de Buenos Aires, 1994. "YouTube.com" Retrieved May 30, 2010.
- ^ abHall, George. "Marcelo Álvarez, interview", ‘‘Opera’’, Sep 2004.
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