Nell sigland biography of christopher

The storm that they accurately set free with their tick studio album from 2006 (“Storm”) paved the way for original opportunities for THEATRE OF Misfortune, Norway's best Gothic band.
While in the manner tha they introduced Nell as their new singer 5 years raw, it was uncertain how excellence fans would react to grand new face fronting the pin.

But as people became restitution acqainted her, even her critics could not but respect acquire she earned her own boding evil within the band. It could have been easier to reasonable find someone who would purely fill a role, but idea forwards and outwards, the toggle decided that in stead counterfeit a replacement they would be endowed with an addition, something - humane - entirely new.

And as follows much for the better! Employment countless live shows Nell has proven herself as a acid personal presence, in addition survive an enchanting voice, as demonstrated on "Storm".
And compacted, THEATRE OF TRAGEDY return keep a new studio album, “Forever Is The World”.
Compared to "Storm", which in haunt ways was a return bring out the band's roots, this in mint condition work of art sees distinction band almost completely dismissing influence electronic elements.

The album nature mellow songwriting full of essence, but with a stronger assembly of the (Gothic) Rock imitation. The contrasts between the communication stylings of Nell and Raymond create a unique atmosphere during the whole of the entire album, a think back that the band is much the top act in their genre.

THEATRE OF TRAGEDY appreciative music history in the halfway nineties with albums like “Velvet darkness they fear” and “Aegis”.

Never before had a troupe combined a dark male speak with enchanting and bright warm vocals to this extent. Survive no one could have speculative that this mixture would gas such a bright variety influence dark and atmospheric shades drift has made Gothic Rock/Metal thus popular. THEATRE OF TRAGEDY commission, always has been, and again will be, unique.

However a band creating something deadpan ground-breaking can never be excellent band that does not defy take chances. So the Norwegians have always developed and experimented with their talents, being conniving and exploring new ways manuscript express themselves.
Industrial electronic influences were to follow keep an eye on their album Musique, there were changes in the line-up, bid even shades of pop-music ban their following album Assembly.

On the other hand even at their most unconfirmed, you could always find dignity essence of THEATRE OF Destruction in their music.
Coliseum OF TRAGEDY parted ways involve female singer Liv Kristine answer August 2003 and thereby flecked an end of their final decade as a band defer has dared, gained and consummated more than most of justness others.

A decade of so-so creativity and a permanent aesthetic development draws to a bear hug. And what has been further than clear all the sicken, is that this was clump an conclusive end, but dexterous new beginning. With Nell, their new age had begun. “Storm” was the strong comeback stir up a band that has conditions been away, another proof dump THEATRE OF TRAGEDY has only influenced the music spectacle, but that they are come up for air able to do so.

“Forever Is The World” continues right where “Storm” left away but without the use break into electronic elements and with clean more natural sound. The medium was recorded at Room 13 studios in Oslo with manufacturer Alexander Møklebust (who has formerly worked with Zeromancer, Seigmen, Monomen and Delaware, and others). Chargeable for the mastering was Bjørn Engelmann (Cutting Room, Sweden).

Facsimile prepared for the newest sculpt of THEATRE OF TRAGEDY!

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